"Nature – Beauty and Destruction" as the motto of the LBBW special exhibition

Max Slevogt, Quarry near Albersweiler, 1912, Courtesy LBBW
Max Slevogt, Quarry near Albersweiler, 1912, Courtesy LBBW

The annual special exhibition of a private collection at art KARLSRUHE provides an in-depth insight into the passion and commitment of private collecting. Special exhibitions such as the Würth Collection (2017), Frieder Burda (2018), Peter C. Ruppert (2019), Hans-Peter Haas Foundation (2020) or, most recently, the collection of Maria Lucia and Ingo Klöcker (2022), which deliberately explored the motif of the feminine in art.

"Nature – Beauty and Destruction" as the motto of the LBBW special exhibition

An impressive list of artists, a top-class line-up straight out of a picture book of contemporary art history: from Franz Ackermann and Anselm Kiefer to Diana Thater and Thomas Grünfeld to Olafur Eliasson and Andreas Gursky. What Landesbank Baden-Württemberg (LBBW) and its predecessor institutions have collected since 1970, a total of around 3,000 works, is truly something to behold.

Sarah Haberkorn, head of the LBBW collection from January 2024, is curating a special exhibition entitled "Nature - Beauty and Destruction", which will present a changing field of tension between beauty and destruction with depictions of flora and fauna.

«This raises critical questions about the relationship between humans and nature: What place does nature have in culture? What is our relationship with nature? To what extent is nature repressed, adapted or manipulated? Where and how do destructive processes become visible?»


Sarah Haberkorn, Head of the LBBW Collection

Haberkorn will cover a broad spectrum - from the Impressionist Max Slevogt, who painted the "Quarry near Albersweiler" in 1912, to the contemporary duo Julian Charrière and Julius von Bismarck, who recreated and blew up rock formations. Nature vandalism as a theme. According to Sarah Haberkorn, the work also deals with the question of "which landscapes are categorised as worthy of protection and what happens when they are destroyed".

The fact that even decades ago the LBBW art collection was not only used to decorate the company's business premises, but was also dedicated to the promotion of artists and the social issues of the time, is shown by the fact that the Landesbank has repeatedly acquired works over the past century that deal with issues of identity, globalization, digitalization, the environment and sustainability, among others.

Julian Charrière und Julius von Bismarck, Canyonlands, We Must Ask You to Leave (vertical viewpoint), 2018 © VG Bild-Kunst

Julian Charrière und Julius von Bismarck, Canyonlands, We Must Ask You to Leave (vertical viewpoint), 2018 © VG Bild-Kunst

Julian Charrière und Julius von Bismarck, Grand Staircase Escalante, We Must ask you to Leave (mountain view drive), 2018 © VG Bild-Kunst

Julian Charrière und Julius von Bismarck, Grand Staircase Escalante, We Must ask you to Leave (mountain view drive), 2018 © VG Bild-Kunst

Franz Ackermann, Ohne Titel (Epizentrum Halle 20), 1999 © the artist

Franz Ackermann, Ohne Titel (Epizentrum Halle 20), 1999 © the artist

Troika, Irma Watched Over by Machines, 2020 © the artists, photo: Dirk Tacke

Troika, Irma Watched Over by Machines, 2020 © the artists, photo: Dirk Tacke

Troika, Woolsey Watched over by Machines, 2023 © the artists, photo: Dirk Tacke

Troika, Woolsey Watched over by Machines, 2023 © the artists, photo: Dirk Tacke

Thomas Grünfeld, Misfit 00/32, 2000 © VG Bild-Kunst

Thomas Grünfeld, Misfit 00/32, 2000 © VG Bild-Kunst